Handmade, video, 2007

Rosita BoisseauLe cri de la fraisereview2007

Danjel AnderssonDanjel Andersson berättar om programmet inför Perfect Performance #5. www.perfectperformance.sevideo, review2009

Kristin WestphalTheater/Kunst mit Kindern - Am Beispiel einer Performance mit Kindern von Eva Meyer-Keller und Sybille Mülleressay2014

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Holiday Shot, video, 2003
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Hearsay, performance, 2002
Good Hands, performance, 2005
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Cooking Catastrophes, performance, 2011

Cathrin Elss-SeringhausMit Kirsch-Aromareview2008

Christiane LötschNeue alte Weiblichkeitreview2008

Yeah Yeah Yeah Yeah Yeah, performance, 2000

Thorsten HoopsDer sichere Tod - Mal andersreview2005

Eva Meyer-Keller, Hanna Sybille MüllerBauen nach Katastrophenessay2009

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Himmelskörper, installation, 2001
Von Menschen gemacht, video, 2010

Susanne Traub, Jochen KieferTools in movement: Eva Meyer-Keller on perception and choreographyinterview2013

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Pulling Strings, video, video, 2014
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circlesquare, video, 2016
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De-Placed, video, installation, 2009

Alexander KerlinKirschentod und Politik. Symposium über Diskursgesetze und Institutionreview2005

Mario Dietze“Good Hands” von und mit Eva Meyer-Kellerreview2006

Martin NachbarGood Handsessay2005

Christina RöferHarmlose Vorstellung? Eva Meyer-Kellers Inszenierung Death is certain als infames Wechselspiel der Wahrnehmung essay2015

lecture: Constanze SchellowDer Böse Blick des ‚Autoriums’. Zur Ambivalenz des Zuschauens in zeitgenössischer Tanz-Performance am Beispiel von Eva Meyer-Kellers Death is certainessay2015

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Pulling Strings, installation, installation, 2013

Melanie SuchyCooking Catastrophereview2012

Fungal Safari, performance, 2014
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Polaroid, performance, 1998
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It's a kind of magic, performance, 2003
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Proper dancing in the background, performance, video, 2000

MBExperimental chemistreview2014

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Ordinator, performance, installation, 2002

Eva Meyer-Keller, Uta EisenreichOrdinator Manualsessay2002

David Reuter Vom Objekttheater zur Kunst in Aktionessay2007

Quim Pujol asks Eva Meyer-Keller3 Fragen an Eva Meyer-Keller / 3 preguntas a Eva Meyer-Kellervideo, interview2013

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Sounds like Catastrophes, performance, 2010

Martin HargreavesObservations and visible definitions [excerpt]review2002

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Volksballons, installation, 2004

Christiane LötschKreatives Tötenreview2008

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Things on a table, performance, 2016

Ylva Lagercrantz Spindler COOKING CATASTROPHES Nybohovs Festlokal, Liljeholmen Officiell premiär 8 septemberreview2011

The nicest, most outlandish ideas … . review2009

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Building after Catastrophes, performance, 2007
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Some Significance , performance, 2017

Mario VellaLa mattanza delle ciliegiereview2008

Eva Meyer-Keller, Sybille Müller Zerstörungsphantasien mit Sahne. Gedanken über die Zukunftessay2014

Tim Etchells In one sense never different and in another sense never the same. Some thoughts on Eva Meyer Keller’s comical tragedy “Death is Certain”.essay2006

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Pulling Strings, performance, 2013

Cecilie Ullerup SchmidtIn a greater perspectiveessay2013

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Pulling Strings, Deus Ex Machina, performance, 2014
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Schattenspiele, performance, installation, 2008

Art meets science meets nature review2009

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Death is Certain, performance, video, 2002

Alexandra BaudelotLe petit monde féerique de l'artreview2004

Vera TollmannEva Meyer-Keller: Building after Catastrophes / Handmadeessay2014

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Kitchen Rec, performance, installation, 1997

Frank WeigandPortrait: Eva Meyer-Kelleressay2010

Jungmin SongDeath and the anthropomorphic life of objects in performance. Marina Abramović’s Nude with Skeleton and other animations [excerpt]essay2015

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Pulling Strings Sudan, performance, 2013

MBExperimental chemist2014

Exberliner - Issue 129 July/August 2014

Experimental chemist

Can Eva Meyer-Keller’s work even be called ‘dance’? She challenges the very concept, making you squirm in the process.

Thirty-fife cherries lie on a “surgical table”, awaiting their deaths. Next to them, a set of tools: scissors, pins, knives, a hammer. This cold, scientific precision, Meyer-Keller executes them one by one: some endure a mock gas chamber, one is burned alive, another is electrocuted. Adding a dramatic touch, Meyer-Keller puts on white surgical gloves to execute a lethal injection. Why cherries? “Cherries are similar to humans: they have kind, they have muscle, they have a bone, they have blood…” And it’s truly a bloodbath that Meyer-Keller asks her audience to witness. She’s the willing executioner challenging our tolerance (and acceptance) of everyday human cruelty. Growing up in the small southern German town of Süßen, Meyer-Keller moved to Berlin at age 21 to study photography and visual arts at the HDK. Her destiny finally came to her in form on an idea from a friend, who suggested that she attend a dance audition at the School for New Dance Development in Amsterdam. Eva blindly gave it a shot and was accepted. After four years of training in contemporary dance, Eva then went on to perform all over the world, working for Jérôme Bel and collaborating with names such as Kate McIntosh. Now based in Berlin, Eva performed in the 2012 Tanz im August and continues to present works that combine her dance and visual arts backgrounds: experimental and chemical in nature, with a focus on food, as in the cherry-killing Death is Certain (2002) and Cooking Catastrophes (2011). The latter piece, recently performed at HAU, invites audiences to dine on edible recreations of simulated disasters such as erupting volcanoes, oil spills, plane crashes, avalanches, 9/11 and tsunamis, combining a medley of foods including Surströmming, nearly-rotten Swedish herring. “I want to present catastrophes to people in a different manner. To force them to digest ideas that are sometimes impossible to even comprehend.”