Christiane LötschNeue alte Weiblichkeitreview2008

Ylva Lagercrantz Spindler COOKING CATASTROPHES Nybohovs Festlokal, Liljeholmen Officiell premiär 8 septemberreview2011

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Pulling Strings, performance, 2013
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De-Placed, video, installation, 2009

Tim Etchells In one sense never different and in another sense never the same. Some thoughts on Eva Meyer Keller’s comical tragedy “Death is Certain”.essay2006

Mario Dietze“Good Hands” von und mit Eva Meyer-Kellerreview2006

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Some Significance , performance, 2017
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Kitchen Rec, performance, installation, 1997

Danjel AnderssonDanjel Andersson berättar om programmet inför Perfect Performance #5. www.perfectperformance.sevideo, review2009

Art meets science meets nature review2009

Christina RöferHarmlose Vorstellung? Eva Meyer-Kellers Inszenierung Death is certain als infames Wechselspiel der Wahrnehmung essay2015

MBExperimental chemistreview2014

Eva Meyer-Keller, Hanna Sybille MüllerBauen nach Katastrophenessay2009

Rosita BoisseauLe cri de la fraisereview2007

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Pulling Strings, Deus Ex Machina, performance, 2014

The nicest, most outlandish ideas … . review2009

Cathrin Elss-SeringhausMit Kirsch-Aromareview2008

David Reuter Vom Objekttheater zur Kunst in Aktionessay2007

Quim Pujol asks Eva Meyer-Keller3 Fragen an Eva Meyer-Keller / 3 preguntas a Eva Meyer-Kellervideo, interview2013

Thorsten HoopsDer sichere Tod - Mal andersreview2005

Martin NachbarGood Handsessay2005

Kristin WestphalTheater/Kunst mit Kindern - Am Beispiel einer Performance mit Kindern von Eva Meyer-Keller und Sybille Mülleressay2014

Mario VellaLa mattanza delle ciliegiereview2008

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circlesquare, video, 2016
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Ordinator, performance, installation, 2002

Susanne Traub, Jochen KieferTools in movement: Eva Meyer-Keller on perception and choreographyinterview2013

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Hearsay, performance, 2002
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It's a kind of magic, performance, 2003
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Schattenspiele, performance, installation, 2008
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Death is Certain, performance, video, 2002

Alexander KerlinKirschentod und Politik. Symposium über Diskursgesetze und Institutionreview2005

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Cooking Catastrophes, performance, 2011

lecture: Constanze SchellowDer Böse Blick des ‚Autoriums’. Zur Ambivalenz des Zuschauens in zeitgenössischer Tanz-Performance am Beispiel von Eva Meyer-Kellers Death is certainessay2015

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Proper dancing in the background, performance, video, 2000
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Volksballons, installation, 2004

Eva Meyer-Keller, Sybille Müller Zerstörungsphantasien mit Sahne. Gedanken über die Zukunftessay2014

Martin HargreavesObservations and visible definitions [excerpt]review2002

Yeah Yeah Yeah Yeah Yeah, performance, 2000
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Holiday Shot, video, 2003
Von Menschen gemacht, video, 2010

Jungmin SongDeath and the anthropomorphic life of objects in performance. Marina Abramović’s Nude with Skeleton and other animations [excerpt]essay2015

Good Hands, performance, 2005
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Pulling Strings Sudan, performance, 2013

Vera TollmannEva Meyer-Keller: Building after Catastrophes / Handmadeessay2014

Eva Meyer-Keller, Uta EisenreichOrdinator Manualsessay2002

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Things on a table, performance, 2016
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Building after Catastrophes, performance, 2007
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Pulling Strings, video, video, 2014
Handmade, video, 2007
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Himmelskörper, installation, 2001

Christiane LötschKreatives Tötenreview2008

Fungal Safari, performance, 2014
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Polaroid, performance, 1998
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Pulling Strings, installation, installation, 2013
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Sounds like Catastrophes, performance, 2010

Frank WeigandPortrait: Eva Meyer-Kelleressay2010

Alexandra BaudelotLe petit monde féerique de l'artreview2004

Melanie SuchyCooking Catastrophereview2012

Cecilie Ullerup SchmidtIn a greater perspectiveessay2013

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An exhibition by Uta Eisenreich in collaboration with Eva Meyer-Keller and James Langdon

Uta Eisenreich and Eva Meyer-Keller have their respective ways to play with consumer products in their work. As a visual artist Eisenreich uses generic household goods and products to arrange enigmatic still lives, that are nonsenisical or multisensical often playing on semiotics, systems and word puzzles. In turn Eva Meyer Keller as a performance maker is playing with products to abstractly represent the unspeakable: murders, catastrophes and other mayhem.

The new body of work departs from Gertrude Stein’s modernist text Objects Lie on a Table from 1922, which oozes a kindred spirit. As an attempt to make a play on the subject of a still life, objects keep transcending their humble, recognizable forms to shift in and out of characters and situations. Evoking the methods of her cubist circle, the text breaks language and viewpoint apart to form new compositions, bridging the space between the visual, the musical and the verbal.

The exhibition A Play at Ellen de Bruijne PROJECTS chooses to bring this textual adventure into the concentrated space of a white cube, in form of a mural conceived in collaboration with graphic designer James Langdon. Unlike the experience of the stage piece -where elements appear in a timeline – the exhibition offers an excess of elements: signs, fragments, props and research material for the viewer to assemble and construct meaning from. A pocket book related to this project is in the making and will be published by Roma publications in April.

At the opening, artist and musician Katrin Hahner will improvise an aleatory sound collage using fragments of the mural as a score. During the exhibition the stage piece ‘Things on a Table’ will be shown twice in full length in Het Veem house for performance. A work in progress presentation of this piece was shown at Ellen de Bruijne PROJECTS last year in the performance program. From the press text of ‘Things on a Table’: ‘On a table ordinary everyday objects, paper, milk, ink, an apple, a glass of water, are manipulated into a series of assemblages, cajoled into compositional exactitude, lit and framed by a camera connected to a projector. In front of the audience and the unblinking camera, dreamlike tableaux emerge, the associations of everyday objects start to coalesce questions about art history and the bourgeois obsession with object possession and arrangement.’

To see the video documentation please send email for link and password to unlock.

Uta Eisenreich in collaboration with Eva Meyer-Keller and James Langdon


video, installation

An exhibition by Uta Eisenreich in collaboration with Eva Meyer-Keller and James Langdon

Opening performance aleatory sound collage featuring Katrin Hahner on the 26 March 2016